"Insults are the arguments employed by those who are in the wrong." - Jean-Jacques Rousseau From the album Straight Life, a 1979 jazz album by saxophonist Art Pepper playing with Tommy Flanagan, Red Mitchell, Billy Higgins and Kenneth Nash. Art Pepper – alto saxophone Tommy Flanagan – piano Red Mitchell – bass Billy Higgins – drums Kenneth Nash – cowbell, reco-reco "At the end of Straight Life, the author describes a moment of virtuosity on the bandstand so transcendent that it deserves to be preserved here in all its glory: "We played the head, the melody, and then [Sonny Stitt] took the first solo. He played, I don’t know, about forty choruses, he played for an hour maybe, did everything that could be done on a saxophone, everything you could play … Then he stopped. And he looked at me. Gave me one of those looks, “All right, suckah, your turn.” And it’s my job; it’s my gig. I was strung out. I was hooked. I was drunk. I was having a hassle with my wife, Diane, who threatened to kill herself in our hotel room next door. I had marks on my arm. I thought there were narcs in the club, and all of a sudden I realized that it was me. He’d done all those things, and now I had to put up or shut up or get off or forget it or quit or kill myself or do something. "I forgot everything, and everything came out. I played way over my head. I played completely different than he did. I searched and found my own way, and what I said reached the people. I played myself, and I knew I was right, and the people loved it, and they felt it. I blew and I blew, and when I finally finished I was shaking all over; my heart was pounding; I was soaked in sweat, and the people were screaming; the people were clapping, and I looked at Sonny, but I just kind of nodded, and he went, “All right.” And that was it. That’s what it’s all about. "Art Pepper was a great musician who paid a heavy price for his art. With Straight Life, he achieved something few musicians can claim: literary immortality." - T.J. English Excerpt from "Why Art Pepper’s Straight Life Is Still the Most Harrowing Jazz Memoir Ever", Jazz Times I do not own the copyright to the music, the recording and the photos. (Image post and video art were appropriated from the original album cover.) This video is posted for educational use under Section 17 U.S. Code § 107. Limitations on exclusive rights: Fair use. As much as possible, I attempted to remove most of the pops and crackles from the original vinyl album. Hope you enjoy. INXDS. #bebop #jazz #vinylrecord #quoteoftheday
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